paintings |
installation views |
about |
cv |
contact |
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CV PDF |
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Education | ||
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2008 - 2014 | PhD Art, practice-led, Goldsmiths, University of London | |
1999 - 2002 | MFA, University of Reading | |
1995 - 1998 | BA (hons) Art, 1st Class, De Montfort University, Leicester |
Solo Exhibitions | ||
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2023 | Salon Paintings, Almine Rech, Paris | |
2022 | Yonder Cloud, Pi Artworks, London | |
Warp & Weft, Dio Horia Acropolis, Athens | ||
2020 | Selma Parlour, Pi Artworks, Istanbul | |
2019 | Activities for the Abyss, Pi Artworks, London | |
2018 | Upright Animal, curated by Sacha Craddock, Pi Artworks, London | |
2016 | Parlour Games, Marcelle Joseph Projects, House of St Barnabas, London | |
2015 | Paradoxes of the Flattened-Out Cavity, Dio Horia, Mykonos | |
2012 | Selma Parlour, MOT International, London |
Group Exhibitions |
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2024 | Unreal City: Abstract Painting in London, Saatchi Gallery, London | |
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Gesture and Form: Women in Abstraction, Almine Rech, New York | ||
Beyond Form, Pi Artworks, London | ||
2023 | So close, come on, Badr El Jundi, Madrid | |
Feeling of Light, Almine Rech, Brussels | ||
2022 | Climbing the Underside of the Ladder, Durden & Ray, Los Angeles | |
Ode to Orlando, Marcelle Joseph Projects, Pi Artworks, London | ||
2021 | Intersections, Pi Artworks, London | |
Superfice, Coleman Projects, London | ||
The Long Echo, Terrace Gallery, London | ||
2020 | By Way of Laughter and Trembling, Durden & Ray, Los Angeles | |
Notions of Female Leadership, Dio Horia, Athens | ||
Perfectionism IV: A Trick of The Eye, OPENART Advisory (online) | ||
Take Your Conscience to the Pawnshop, Terrace Gallery, London | ||
2019 | Women Imprinted, The h Club Gallery, London | |
The Inhuman /difficult transition/, Thames-Side Studios Gallery, London | ||
2018 | Harder Edge, The h Club Gallery & The Saatchi Gallery, London | |
Not Dream of Islands, Palfrey Space, London | ||
Destroyed by Shadows, The Cornerstone Gallery, Liverpool Hope University, Liverpool | ||
The Performativity of Painting, Stephen Lawrence Gallery, University of Greenwich, London | ||
2017 | Beneath the Colour, The Saatchi Gallery at the Hyatt Regency, London | |
The Summer Exhibition, The Royal Academy of Arts, London | ||
Make a Mark, ArthouSE1, London | ||
Nine Painters, Syson Gallery, Nottingham | ||
2016 | John Moores Painting Prize, Walker Art Gallery, Liverpool | |
Kaleidoscope, Fold Gallery, London | ||
The Marmite Prize for Painting V, Block 336, London & Highlanes Gallery, Drogheda, Ireland | ||
Pool, Griffin Gallery, London | ||
2015 | The Shapes We're In, Bread & Jam, London | |
Dio Horia in Mykonos, Dio Horia, Mykonos | ||
En Plein Air, pop-up exhibition, Mecklenburgh Square, London | ||
The Shape of Things, The Dot Project, London | ||
Autocatalytic Future Games, No Format, London | ||
2014 | 100 Painters of Tomorrow, One Art Space, New York, NY | |
2012 | A Sense of Adventure, pop-up exhibition, Pullman Hotel, London | |
Creative Cities Collection Exhibition, The Barbican, London | ||
Selma Parlour & Yelena Popova, Horton Gallery, New York, NY | ||
Double Vision, Lion & Lamb Gallery, London | ||
270112 Abstractions, Laure Genillard Gallery, London | ||
Parallel Universe, Charlie Dutton Gallery, London | ||
2011 | Bloomberg New Contemporaries, S1 Artspace, Sheffield & ICA, London | |
Salon Art Prize, Matt Roberts Arts, London | ||
Mysteries, Beers.Lambert Contemporary Art, London |
Awards | ||
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2023 | Abbey Fellowship in Painting, the British School at Rome | |
2020 | Arts Council England Creative Development Award | |
2018 | The Mark Rothko Memorial Trust Artist-in-Residence Award |
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2017 | The Sunny Dupree Family Award for a Woman Artist, The Summer Exhibition, The Royal Academy of Arts, London | |
2016 | Prizewinner, John Moores Painting Prize | |
2015 | Artist-in-Residence, Dio Horia, Mykonos | |
2014 | Runner-up Award, Arts Foundation Fellowship in Painting | |
100 Painters of Tomorrow, Thames & Hudson, London | ||
2012 | Research Support Award, Goldsmiths, University of London | |
2011 | New Contemporaries, ICA, London |
Talks & Teaching | ||
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2023 | Minimal Art as Language, in conversation with Maud de la Forterie, Almine Rech, Paris | |
2018 - 2020 | Associate Lecturer in Art, Wimbledon College of Arts, University of the Arts London | |
2020 | Contemporary Painting: Perspectives of Now, panel discussion, University of the West of England, Bristol | |
In conversation with Mark Sheerin, Pi Artworks, London | ||
2019 | Artist talk, Otis College of Art & Design, Los Angeles | |
2018 | Now That's What I Call Painting, with Jin Han Lee, Wimbledon College of Arts, University of the Arts London | |
Artist talk, The 10th International Conference, The Mark Rothko Art Centre, Daugavpils, Latvia | ||
Artist talk & visiting tutor, Turps Art School, London | ||
Artist talk & visiting tutor, University of the West of England, Bristol | ||
The Performativity of Painting, group discussion, Stephen Lawrence Gallery, University of Greenwich, London | ||
Changing Places: Transposition & Painting, symposium presentation, Fabrication Research Group, University of Worcester | ||
In conversation with Sacha Craddock, Pi Artworks, London | ||
Artist talk & visiting tutor, School of Design, Leeds University | ||
Visiting tutor, The RA Schools, The Royal Academy of Arts, London | ||
2017 | Visiting tutor, Wimbledon College of Arts, University of the Arts London | |
Sophie Mackfall, Sid Motion & Selma Parlour, panel discussion, PIY PaintLounge, Sluice Biennial, London | ||
Abstract Trompe L'Oeil, in conversation with Marcelle Joseph, House of St Barnabas, London | ||
Artist talk & visiting tutor, Camberwell College of Arts, University of the Arts London | ||
Artist talk & visiting tutor, Arts University Bournemouth | ||
2016 | Artist talk & visiting tutor, Wimbledon College of Arts, University of the Arts London | |
Artist talk, De Montfort University, Leicester | ||
Abstract Expressionism & its Legacy for a New Generation, panel discussion, The Royal Academy of Arts, London | ||
2014 | Alice Browne & Selma Parlour, Artist talk, PaintUnion, Griffin Gallery, London | |
2013 | Composition, symposium presentation, MOT International, London & Goldsmiths, University of London | |
2009 | What Theory?, symposium presentation, Goldsmiths, University of London | |
Painting, symposium presentation, Goldsmiths, University of London |
© Selma Parlour 2024 |
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